At his age it’s understandable, but a shame nonetheless. There are also lapses though: “So In Love”, sounds like it was recorded too late in a session, at a point when Bennett’s energy for the day had been spent. One genuinely touching moment is in the verse of “I Get a Kick Out of You” where Bennett finds that authentically urgent and passionate vocal colour he had in tracks such as “A Child is Born” or “Make Someone Happy” on the classic album Together Again with Bill Evans.
Not all the tracks are duets there are solos for each of the singers in turn. The arrangements mostly alternate between Basie-ish swing for quartet or small band, and a smoochier vibe with studio orchestra textures in which “with strings”, gloops of swoopy countermelody and reharmonisation are contrasted with flutes or oboes, vibes and piano. That said, the video version of the title track does have her strangely whirligigging her arms. This is a calmer, less histrionic album than its predecessor. It is as if there is less need now (for Gaga) to strain, to "act", find different idioms, to prove anything. And the Bennett/Gaga partnership has also evolved. The fact that the album stays in the elegant yet turbulent world of Cole Porter makes it a more convincing piece of work than Cheek to Cheek from 2014. True, Bennett recorded less Cole Porter than Sinatra, but he is such an appealing character, and he can give such wonderful empathy to a lyric, that is perhaps the main joy here. All ten tracks on the album – there are 12 on the “de luxe version” – are by Cole Porter. The good thing about the new album Love for Sale (Streamline) is that it has a unifying theme.
0 kommentar(er)
